Andrew Keegan is sharing details of his unreliable residual checks from movies and TV shows.
“I think it’s really funny because I’ll get different shows obviously, but I’ll get one cent checks and it costs like 40 cents to send,” the actor, now 47, said during a recent episode of The McBride Rewind, adding, “One cent is not worth my time.”
Keegan is best known for his role in 1999 romcom “10 Things I Hate About You” opposite Heath Ledger and Julia Stiles.
He noted that he’s probably seen the highest amount in residuals from the iconic teen comedy.
“I think ’10 Things’ is the biggest residuals,” he divulged. “There are still residuals that come from all those shows, like $10, $20, $50, $80, right?”
At the height of his fame, Keegan appeared in a number of high profile TV series and movies.
He appeared on “7th Heaven” from 1997 to 2002, as well as “Party of Five” from 1997 to 1998. In more recent years, he appeared in “CSI: New York” in 2010 and “Related” from 2005 to 2006.
Keegan also had roles in “Independence Day” (1996) and “The Broken Hearts Club” (2000), among many others.
Celebrity residuals can indeed be unpredictable — while some stars haven’t pulled in much due to various factors, others boast millions.
Forbes revealed back in 2013 that Ray Romano rakes in $18 million per year for his sitcom “Everybody Loves Raymond,” which ran from 1996 to 2005.
But a number of celebrities have more recently shared their shocking residuals stories, divulging they don’t earn much at all for their past work on various memorable TV shows.
“Who’s the Boss” alum Danny Pintauro, now 50, shared insight on why he now works as an Amazon Flex delivery driver in between acting auditions.
“Pretty much everyone misunderstands what residuals mean,” he said during an interview with Fox News earlier this month.
“It’s crazy to me. People always assume that if they recognize you, you must be financially set for your life, and that’s just not how it works.”
Pintauro explained that he’s “getting five to six cents per episode,” of the 1984 to 1992 sitcom, adding that “they can air it as many times as they want and I don’t get paid anymore.”
